Sunday, November 25, 2007

monet oil painting

monet oil painting
red flower painting
flower vase painting
claude monet impressionism painting
This going to hunt up her shiftless husband at the inn was one of Mrs Durbeyfield's still extant enjoyments in the muck and muddle of rearing children. To discover him at Rolliver's, to sit there for an hour or two by his side and dismiss all thought and care of the children during the interval, made her happy. A sort of halo, an occidental glow, came over life then. Troubles and other realities took on themselves a metaphysical impalpability, sinking to mere mental phenomena for serene contemplation, and no longer stood as pressing concretions which chafed body and soul. The youngsters, not immediately within sight, seemed rather bright and desirable appurtenances than otherwise; the incidents of daily life were not without humorousness and jollity in their aspect there. She felt a little as she had used to feel when she sat by her now wedded husband in the same spot during his wooing, shutting her eyes to his defects of character, and regarding him only in his ideal presentation as lover. ¡¡¡¡Tess, being left alone with the younger children, went first to the outhouse with the fortune-telling book, and stuffed it into the thatch. A curious fetichistic fear of this grimy volume on the part of her mother prevented her ever allowing it to stay in the house all night, and hither it was brought back whenever it had been consulted. Between the mother, with her fast-perishing lumber of superstitions, folk-lore, dialect, and orally transmitted ballads, and the daughter, with her trained National teachings and Standard knowledge under an infinitely Revised Code, there was a gap of two hundred years as ordinarily understood. When they were together the Jacobean and the Victorian ages were juxtaposed.

2 comments:

Anonymous said...

monet oil painting

Anonymous said...

monet oil painting
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