jesus christ on the cross
leonardo da vinci self portrait
Madonna Litta
madonna with the yarnwinder painting
¡¡¡¡When the infant had taken its fill the young mother sat it upright in her lap, and looking into the far distance dandled it with a gloomy indifference that was almost dislike; then all of a sudden she fell to violently kissing it some dozens of times, as if she could never leave off, the child crying at the vehemence of an onset which strangely combined passionateness with contempt. ¡¡¡¡`She's fond of that there child, though she mid pretend to hate en, and say she wishes the baby and her too were in the church-yard,' observed the woman in the red petticoat. ¡¡¡¡`She'll soon leave off saying that,' replied the one in buff. `Lord, 'tis wonderful what a body can get used to o' that sort in time!' ¡¡¡¡`A little more than persuading had to do wi' the coming o't, I reckon. There were they that heard a sobbing one night last year in The Chase; and it mid ha' gone hard wi' a certain party if folks had come along.' ¡¡¡¡`Well, a little more or a little less, 'twas a thousand pities that it should have happened to she, of all others. But 'tis always the comeliest! The plain ones be as safe as churches - hey, Jenny?' The speaker turned to one of the group who certainly was not ill-defined as plain. ¡¡¡¡It was a thousand pities, indeed; it was impossible for even an enemy to feel otherwise on looking at Tess as she sat there, with her flower-like mouth and large tender eyes, neither black nor blue nor gray nor violet; rather all those shades together, and a hundred others, which could be seen if one looked into their irises - shade behind shade - tint beyond tint - around pupils that had no bottom; an almost standard woman, but for the slight incautiousness of character inherited from her race.
Sunday, November 25, 2007
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monet oil painting
jesus christ on the cross
tfuytuy
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