Monday, November 26, 2007

abstract woman painting

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His room was an immense attic which ran the whole length of the dairy-house. It could only be reached by a ladder from the cheese-loft, and had been closed up for a long time till he arrived and selected it as his retreat. Here Clare had plenty of space, and could often be heard by the dairy-folk pacing up and down when the household had gone to rest. A portion was divided off at one end by a curtain, behind which was his bed, the outer part being furnished as a homely sitting-room. ¡¡¡¡At first he lived up above entirely, reading a good deal, and strumming upon an old harp which he had bought at a sale, saying when in a bitter humour that he might have to get his living by it in the streets some day. But he soon preferred to read human nature by taking his meals downstairs in the general dining-kitchen, with the dairyman and his wife, and the maids and men, who all together formed a lively assembly; for though but few milking hands slept in the house, several joined the family at meals. The longer Clare resided here the less objection had he to his company, and the more did he like to share quarters with them in common. ¡¡¡¡Much to his surprise he took, indeed, a real delight in their companionship. The conventional farm-folk of his imagination - personified in the newspaper-press by the pitiable dummy known as Hodge - were obliterated after a few days' residence. At close quarters no Hodge was to be seen. At first, it is true, when Clare's intelligence was fresh from a contrasting society, these friends with whom he now hobnobbed seemed a little strange. Sitting down as a level member of the dairyman's household seemed at the outset an undignified proceeding. The ideas, the modes, the surroundings, appeared

2 comments:

Anonymous said...

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Anonymous said...

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